Popes, Kings, and Tax Collectors: Sermon Preached on 26th October 2025 (Nineteenth Sunday After Trinity)

Pope Leo XIV, dressed in white papal robes with a red and gold embroidered chasuble, walks down the ornate tiled aisle of the Sistine Chapel alongside King Charles III, who wears a dark blue suit, white shirt, black tie, and white pocket square. A cleric in black robes with magenta accents follows closely behind them, holding a book, while Queen Camilla, in a black dress and veiled hat, and other attendees are visible in the background. Rows of empty red upholstered chairs with gold frames line both sides of the aisle, and the chapel's renowned ceiling and walls, painted with Michelangelo's frescoes including scenes from The Last Judgment and biblical figures, loom above.

Preached at St Peter’s, Poulshot and Christ Church, Bulkington

2 Timothy 4.6–8, 16–18; Luke 18. 9–14

“The Pharisee, standing by himself, was praying thus, ‘God, I thank you that I am not like other people…’”

Pope Leo XIV, dressed in white papal robes with a red and gold embroidered chasuble, walks down the ornate tiled aisle of the Sistine Chapel alongside King Charles III, who wears a dark blue suit, white shirt, black tie, and white pocket square. A cleric in black robes with magenta accents follows closely behind them, holding a book, while Queen Camilla, in a black dress and veiled hat, and other attendees are visible in the background. Rows of empty red upholstered chairs with gold frames line both sides of the aisle, and the chapel's renowned ceiling and walls, painted with Michelangelo's frescoes including scenes from The Last Judgment and biblical figures, loom above.
King Charles and Pope Leo in the Sistine Chapel, 23 October 2025 © Vatican Media

The Pope and the Queen played an outsized role in the graffiti I saw as a boy. Their titles usually appeared in a three-letter acronym only differentiated by its last letter. The first letter was ‘F’, and did indeed stand for the F-word you’re wondering if the Rector is actually going to use in the pulpit. The second letter was ‘T’, simply for “the”. And the last letter was either ‘P’ or ‘Q’. It was, in a strange way, quite useful to have ‘FTP’ or ‘FTQ’ written on a wall, as if you were somewhere unfamiliar, it gave you an instant visual clue as to what sort of place you were in, and therefore whether you could tell the truth about who you were and where you came from, or whether you had to tell a few little white lies.

The Pope of Rome and the King or Queen of England were our respective bogeymen. You might not have had anything much against them personally, you may even have sort of liked what you saw of them on the TV, but you knew if you were rude about them, you were taking a pop at a sacred symbol of the other side, and you were also warning anybody on your own side who might go soft what was expected of them.

Of course, it’s easy from the security of rural England to roll your eyes at all that and say, ‘Well what do you expect from Northern Ireland?’ But for four hundred years, this division wasn’t just in Northern Ireland, but across Europe and later across the world. One side said there was no salvation outside their Church, while the other loved phrases like: “the tyranny of the Bishop of Rome, and all his detestable enormities”.

One of the mainstays of British national identity was, into the early 20th Century, Foxe’s Book of Martyrs. Almost forgotten now, it was full of grizzly stories of godly Protestants being burned at the sake and disembowelled, usually accompanied by lurid ink drawings that, in the days before horror movies, were probably part of its appeal. The Catholic minority in England had their equivalent stories of saints being crushed to death, or quartered while alive, and Irish Catholics not only had similar stories but outright dispossession in their own country to draw on.

The saddest part is, all the stories were true, in all their cruelty. Tyburn really happened, and the St Bartholomew’s Day Massacre really happened. But people tended to remember the stories of when they were victims, and often chose not remember the stories where they were making the victims. Christians proclaim that Christ, who rejected violence and revenge and conquest and power, is the victim sacrificed for the sins of the world—and then, too often, go out and make more victims in His name. When do that, we nail Christ to the Cross all over again.

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Persistence: Sermon Preached on 19th October 2025 (Eighteenth Sunday After Trinity)

Preached at Holy Cross, Seend

2 Timothy 3.14 – 4.5; Luke 18.1–8

“Preach the word… in season, out of season”

Do you want to be a record breaker? For me, it all depends what sort of record I might be breaking. I wouldn’t to be like former Nottingham Forest manager Ange Postecoglou, sacked yesterday just 39 days after being appointed, and setting a new record for brevity of managerial tenure in the English Premier League.

Perhaps Mr Postecoglou might take comfort from the fact that he is probably the victim of forces well beyond his own control—a short-termist mentality that demands instant results, which has been produced by a culture that promises instant gratification, as long as we have the money to pay for it.

A classical painting depicting an elderly woman dressed in a dark robe and white headscarf, sitting and holding a young child who is nestled against her. The child, wearing a golden robe, is reading or holding a small book. The background is dark and muted, with warm lighting highlighting the figures' faces and clothing.
William Drost, Timothy With His Grandmother, Lois (early 1650s). hangs in the Hermitage, St Petersburg.

Today’s readings, although different in terms of form and style, both commend to us a different approach to life—one of constancy and persistence, especially when it comes to our Christian Faith.

Paul’s Second Letter to Timothy is written in the style of an old man, realising he is nearing the end of his life, giving advice to a younger protégé. Timothy has clearly been earmarked by Paul as a future Church leader, and his background contrasts dramatically with the first generation of Christian leaders, who all started following Christ as adults, many of them literally following Jesus Christ around the Holy Land while he walked the Earth. Timothy, in contrast, was born into a Christian family, and Paul seems to think His backbone needs a little stiffening.

We see another change—the earliest Christians expected Jesus to return and enact the Last Judgement very soon; in this passage, we get signs that they are starting to realise this Christianity business is for the long haul.

So Paul writes: “Preach the word; be instant in season, out of season”. ‘Instant’ in the language of the Authorised Version means persistent; Timothy is to be persistent in preaching the Gospel even when it feels like he isn’t getting anywhere, and even when people who had been faithful Christians get distracted and drift into believing myths that seem to be Christian on the surface but lose the true essence of the Faith at their core.

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Be Like This Dirty Foreigner: Sermon Preached on 12th October 2025 (Seventeenth Sunday After Trinity)

A painting featuring a group of figures dressed in elaborate, tattered white robes with raised hands, holding staffs adorned with bells and vines. They appear to be in motion, reaching out toward a single figure on the right, also in white robes, standing with arms outstretched against a grayish background. The scene has a mystical and dynamic feel.

Preached at St Mary’s, Potterne

2 Timothy 2. 8-15; Luke 17. 11-19

“He prostrated himself at Jesus’ feet and thanked him. And he was a Samaritan.”

Whom do you hate?

A painting depicting a group of people in colorful, tattered clothing kneeling and reaching out with raised hands on a grassy hill. In the background, a figure in a white robe stands alone, with a soft, glowing sky above. A few shadowy figures are visible further back on the hill. The scene conveys a sense of reverence and awe.
Gebhard Fugel, Ten Lepers Call Out to Jesus (1920), hangs in the Diocesan Museum of the Archdiocese of Munich and Freising, in Freising.

Do you hate Muslims?

Do you hate… Tories?

Do you hate Black people? Do you hate posh people? Do you hate Nigel Farage? Do you, well, want to make clear you’re not anti-Semitic, of course, but actually you hate the Israelis? Or do you hate sanctimonious lefty-liberals who have self-righteousness like other people have bad breath?

We all have a little bit of hatred for somebody or other tucked away in us somewhere. None of us is all-kind and all-loving all the time. We all form in-groups and out-groups—that’s just part of human nature. We can’t possibly know everything we need to know to make a judgement as to whether to trust somebody we’ve just met, so we all look for shortcuts to help us form a view of them. Although our higher aspirations rightly make us try to suppress these instincts, it’s not always easy to navigate the world without them, and they aren’t easy to control.

For the Jews of Jesus’ time and place, the people they hated were the Samaritans. Their religion was very similar to that of the Jews, but that just made the ways in which it was slightly different even more upsetting. Unlike the Jews, the Samaritans hadn’t been sent into exile by the Babylonians, but had always lived in the Holy Land— so as far as the Samaritans were concerned, they were the true descendants of Moses and David, while the Jews were the people whose religion had been corrupted by funny foreign ideas.

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Wait Patiently in Faith: Sermon Preached on 5th October 2025 (Sixteenth Sunday After Trinity)

Preached at Christ Church, Worton and Christ Church, Bulkington

Habakkuk 1.1-4, 2.1-4; Luke 17. 5-10

“I will keep watch to see what he will say to me, and what he will answer concerning my complaint.”

“Anarchy and violence break out, quarrels and fights all over the place. Law and order fall to pieces. Justice is a joke. The wicked have the righteous hamstrung and stand justice on its head.” That’s a translation from the Bible version known as ‘The Message’ of the first of our readings today. It was penned by the prophet Habakkuk (isn’t that a great name) in what turned out to be the years just before an era came to an end; something that Habakkuk seems to have understood even as most of those around him scoffed. He wrote at a time when standards had collapsed, when wrongdoers seemed to get whatever they wanted and ordinary people saw no justice, when neighbours were bitterly divided from one another. Nobody really knew how to turn the country round from the decline it had settled into.

An old black-and-white illustration depicting a dramatic scene with a person standing on a rooftop, arms raised, overlooking a city with domed buildings. In the background, a hilltop fortress is engulfed in flames and smoke, suggesting a battle or destruction. Another figure is crouched nearby, and the sky is filled with dark, swirling clouds.
Jerusalem is On Fire, from the Art Bible (1896) – public domain image.

Truly, Habakuk was a prophet for our times—but He wrote around the year 600 BC in the Kingdom of Judah. He didn’t know that the Fall of Jerusalem was only a few years in the future, but knew his society was in trouble. Yet he also had faith that his people weren’t coming to the end a story, but merely the end of a chapter. Despite the state of his country, Habakuk still watched and waited for God to speak to him. He didn’t lose faith. And God did indeed speak to him. God told Habakkuk to do something that is now very unfashionable – to wait! – to be patient, for God would indeed grant His people a vision of a better future, but only at the appointed time.

We live at a time when everyone in public life is expected to give an instant reaction to every issue under the Sun, and this reaction has to fit in a two-sentence tweet or thirty-second video on TikTok. We demand our politicians tells us their views about sport and the entertainment business, ridiculing them if they confess to being uninterested in football or too serious-minded for the soaps. At the same time, we demand sportspeople and singers and actors give us their political opinions and act as our moral leaders. Serious problems are trivialised, while trivia is elevated

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