three transcendents

The Bright Field: Sermon Preached on 30th July 2023 (8th Sunday After Trinity)

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In the foreground, lush fields of grass on a cloudy day, among which a small hill is lit up by a sunray. In the middle distance a lake with an island, all in shadow, and amove them some clouds backlit by the sun.

Preached at St John’s, Devizes

Readings – Romans 8: 26-39; Matthew 13: 31-33, 44-52

“The kingdom of heaven is like treasure hidden in a field … someone … sells all that he has and buys that field.”

I have a photograph which I have named The Bright Field. It is taken from the top of Black Mountain, the highest of the chain of hills that erupts immediately to the west of Belfast, looking not towards the city, but the rich grasslands to the west. Lough Neagh, the largest lake in these islands, lies immediately behind. It was taken on a stereotypically gloomy Irish summer evening – this disappointingly dull and breezy summer in Wiltshire, with the jet stream parked further south than usual, is just like a normal summer in Belfast.

A single gap in the clouds had opened up to cast lovely golden light on a single small hill, covered in fields, a couple of miles away, while all around and behind it remained deep in shadow.

In the foreground, lush fields of grass on a cloudy day, among which a small hill is lit up by a sunray. In the middle distance a lake with an island, all in shadow, and amove them some clouds backlit by the sun.

View west from Black Mountain, 3 August 2018,
© Gerry Lynch

It called to mind perhaps the finest of the poems by the Welsh Anglican priest, RS Thomas, itself a surprising shaft of light amid what is otherwise a gloomy literary output. It begins:

I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the
pearl of great price, the one field that had
treasure in it

In that spirit, let me give you a little something to ponder at a time of year when many of us are about to go on holiday.

Often, when I go to church while on holiday, my irreligious friends will ask me afterwards if the service was “uplifting”, hoping to be kind and supportive, nodding and expecting an answer in the affirmative. Sometimes it was, but sometimes I tell them it wasn’t. Sometimes that was my fault, because my mind was miles away. But sometimes I tell them that the prayers were anodyne, or the worship sloppy, or the sermon insipid. And then I tell them that, even though the service wasn’t “uplifting”, I was still glad that I went.

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The Glory to be Revealed: Sermon Preached on 23nd July 2023 (7th Sunday After Trinity)

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A field of poppies, surrounded by lush green grass, catching rich evening light, near Bishops Cannings, Wiltshire.

Preached at Holy Cross, Seend and Christ Church, Bulkington

Readings – Romans 8: 12–25; Matthew 13: 24–30, 36–43

“I consider the sufferings of the present time are not worth comparing with the glory about to be revealed to us.”

On Friday evening, I was out walking near North Wilts Golf Course, when I stumbled across a field full of poppies in rich evening light. I wandered along the field margin entranced by magical scenes, like the single sunflower, presumably the result of a stray seed, adding a dash of yellow to the reds and greens. Overhead, the larks sang.

A lone sunflower amid a field of poppies, near Bishops Cannings in Wiltshire.
21 July 2023, © Gerry Lynch.

At times, I was quite overwhelmed by beauty. I found myself thinking of the struggles I’d had in life – the very unlikely and occasionally painful path that led me to being a country parson in Wiltshire, which I could never have planned for myself and which nobody could have predicted. I thanked God volubly, moved almost to tears with joy.

Of course, life isn’t always like this. To turn on the news is to be confronted with catastrophes, from a heatwave in southern Europe that seems to intimate environmental disaster to a war in Ukraine that seems to be locked into a deadly stalemate in the trenches.

Still harder to bear than these terrifying but systemic problems is our own suffering and the suffering of those we love. I was reading an article in The Tablet yesterday by the Oxford-based Dominican, Fr Timothy Radcliffe. Timothy is to my mind the best popular theologian in Britain today, capable of explaining difficult concepts in understandable language to ordinary Christians. He revealed that, last year, he had survived a terrifying and risky 36-hour operation for jaw cancer. Although initially it seemed to have been a complete success, recently his consultants had picked up signs of fresh pre-cancerous cells in his jaw. The random operation of fate can sometimes be terribly cruel.

If all there were to the world were the stories of humanity’s struggles to survive and struggles with one another, the world would be a grim place. Yet we see signs everywhere, like the beauty of a field of poppies, that our existence is much greater and more magnificent than the hardest parts of life would indicate.

Some poppies on top of a hill, surrounded by lush green grass, looking down to a flat plain below with a long stand of deciduous trees in the distance.
21 July 2023, © Gerry Lynch.

For example, if I am capable of being overwhelmed by the beauty of a field of poppies on a gorgeous summer evening, it begs the question why human beings have a sense of beauty. It isn’t necessary for evolutionary purposes: we can survive and produce the next generation of humans without it. In a similar vein, why do we have the capacity to feel awe? Why does love seem to be the single most transformative aspect of human existence?

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Transcendence Amid Our Troubles: Sermon Preached at St John’s, Devizes, Sunday 28th August 2022 (The Eleventh Sunday after Trinity)

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Readings – Hebrews 13:1–8, 15–16; Luke 14:1,7–14

“When you give a banquet, invite the poor, the crippled, the lame, the blind.”

On Friday, I accompanied Mike our churchwarden up into the tower, so he could have a look at why our church clock is currently broken and take some photos to send off to the experts. Having arrived here, as many of you will remember, in very strange lockdown circumstances, this was my first trip up the tower. This was therefore the first chance I had to see the wonderful Norman stone-carving in the bell-ringers’ chamber. It is of the same pattern as the stonework behind me in the chancel, but unlike the stonework on this level, it is essentially untouched by later restoration. What is remarkable is that the people who carved it must have known that, six metres or so up in the tower, it would be seen by very few people. Yet that seemed not to matter, as they were doing the work for the glory of God. In a strange way, it seems to be beauty created for its own sake that moves us most deeply; it seems to be the things that nourish us most emotionally do so precisely because they have not been made to be useful.

Restored Stonework on the Norman Pattern in St John’s Chancel

There is, to me, something about the depth of time here in St John’s that puts everything in perspective; the events these stones have witnessed put our present day troubles in their proper context. It is not that we do not face grave problems, but it helps to be reminded that people have always faced grave problems, and people have always, at their best, transcended them. Yet there is something more than that in the air here – it feels like prayer has been soaked into the stones, as if the way people have prayed here and celebrated the Eucharist here over nearly 1,000 years has worn thin the barrier between this world and what lies beyond.

I don’t know about you, but I can hardly bear to listen to the news at the moment. The world faces profound problems, and it feels like our political system has seized up entirely in the face of those problems. It is fairly obvious that there is going to have to be some tremendous re-configuration of our energy supply, and the response from our leaders seems to be to act like a rabbit in the headlights. For example, I have yet to hear any politician levelling with the public about the scale of very disruptive infrastructure work that will be needed, both to deal with climate change and to reduce our vulnerability to the like of Mr Putin. Beyond fears of climate disaster, many of us fear acutely and with good reason that we will be left poverty-stricken over this winter. One feels entirely powerless in the face of it.

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Rt Rev’d Christopher Herbert Sermon on Beauty

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This sermon, on beauty, was preached by Christopher Herbert on 25 May 2014 as part of St Paul’s Cathedral’s sermon series ‘What I Want to Say Now: Retired Bishops Speak Out’. Listening to it via YouTube more than eight years after it was preached, I was struck by its commitment to the appreciation of beauty as a means of apprehending as best human beings can something of the true mystery of God. Herbert criticises trenchantly the Church of England’s neglect of the patrimony of buildings, prayers, poetry, and hymnody it has been bequeathed. If anything, this has become more entrenched since 2014.

More optimistically, on the other hand, I think there are possibilities of the image-oriented Instagram generation rediscovering the joys in ‘reading’ a Church and its contents in a way that probably hasn’t been true since the Reformation, which Herbert inevitably misses and few in the Church have yet noticed.

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A couple of months ago, a book was published by Edinburgh University Press. It’s entitled A Companion to the Bible and the Arts, and in it is an essay by Nicholas Bielby, and that essay has not left me alone. It’s actually about the subtleties and difficulties of biblical translation, and in it almost as a throwaway line he writes this:

If beauty is an attribute of God and His Word, then we should hope for intimations of it in the translation of His Word. This beauty is in the story the Bible tells us and we would hope to find it in the way it is told.

His essay is a delight, and thought it focuses on biblical translation, it ranges more widely into the whole field of aesthetics, and I want to quote him again:

An aesthetic experience has this sense of rediscovery of something unknown, but entirely familiar, because it feels right, and true, and beautiful.

You won’t be surprised to know that he doesn’t overload the word ‘feeling’. Because something feels right, it doesn’t necessarily mean that it is.

Well, I’ve read and reread that essay with great enjoyment, partly because it is so carefully written, but also because it raises an issue to which I believe we need to give serious attention, and that is the whole question of beauty.

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