The Madness of Mobs: Sermon Preached on 29nd March 2026 (Palm Sunday)

Preached at St Peter’s, Poulshot and St Mary’s, Potterne

Philippians 2. 5-11; Matthew 21. 1-11

“When he entered Jerusalem, the whole city was in turmoil, asking, ‘Who is this?’”

A screenshot from the BBC television programme Wogan. Two people are seated facing each other in a talk-show setting with a neutral beige studio backdrop. On the left, a woman with short, voluminous auburn hair wears a bright teal blazer over a patterned blue and purple dress. She is looking toward her interviewer with a composed expression. On the right, a man with dark, collar-length hair, seen from behind and in profile, wears a dark grey suit and has his hands clasped together as if mid-conversation. The BBC logo is visible in the upper left corner and the programme name "Wogan" appears in the upper right. The styling and set design are consistent with British television production of the mid-to-late 1980s.
Lindy Chamberlain on the BBC Wogan Show in 1991. © BBC; used under Fair Use doctrine

Does anyone remember a lady in Australia named Lindy Chamberlain? If you don’t remember the name, you may remember her story. While camping at Ayers Rock in 1980, her nine-week-old daughter disappeared while she and her husband were making the evening meal at a barbeque pit. Chamberlain said she had seen a dingo leaving their family tent when she returned to check after hearing her daughter crying. Although other campers who were there that evening believed her, few members of the Australian public gave this unlikely story any credibility. I mean, “A dingo stole my baby…”—sure, love, whatever you say. Whipped up by the media, Chamberlain became a national and even international hate figure, with the hate exacerbated by the fact that she was a member of the Seventh-day Adventist Church, and therefore seemed insufficiently grief-stricken by conventional norms.

Two years later, she was sentenced to life imprisonment with hard labour for murdering her own daughter, and soon exhausted every possible means of appeal. Yet she only served three years before the prosecution case fell apart: by chance, nearly six years after her disappearance, her daughter’s cardigan was found in a remote area with many dingo lairs; the prosecution’s forensic evidence also turned out to be full of flaws. Chamberlain was released: the hate figure turned out to be an innocent woman.

Somewhat closer to home, both in time and space, is Christopher Jefferies, a cultured and rather eccentric retired public schoolmaster from Bristol. When his lodger Joanna Yeates was murdered in 2010, the press went feral, portraying him as a sinister oddball who was almost certainly guilty. Yet he was entirely innocent; after the true killer was convicted, Jefferies sued multiple newspapers and won.

The social media era has brought a new arena for people to form mobs in. Because of that, the Internet gets blamed for changing human behaviour for the worse – and maybe it has – but the tendency to form badly-behaved mobs isn’t new at all. It goes back to the dawn of humanity.

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A Story of Celebrity and Mobs: Sermon Preached on 13th April 2025 (Palm Sunday)

Preached at Holy Cross, Seend, St Peter’s, Poulshot, and Christ Church, Bulkington

Philippians 2. 5-11; Luke 19. 28-40

“the whole multitude of the disciples began to praise God joyfully with a loud voice for all the deeds of power that they had seen”

A large group of people dressed in ancient, flowing robes gathers outside a stone building with an arched doorway. Some sit or lie on the ground, while others stand or lean against the wall. A central figure in a blue robe stands on a carpet, addressing the crowd, with a donkey nearby. The scene is set under a partly cloudy sky with a tree on the right. The painting has a warm, earthy tone, capturing a moment of communal listening or teaching.
Nikolay Koshelev, Christ’s Entry into Jerusalem.

Palm Sunday speaks into an age of celebrity culture and social media in a way that few other Bible stories do. On Sunday, Jesus is the darling of the crowds, who mob Him like a modern day celebrity. It’s as if Taylor Swift turned up in Morrison’s in Devizes on a Saturday afternoon. Then, in the space of just five days, Jesus falls from favour so spectacularly that the crowds are literally calling for him to be strung up. We’ve seen so many stars fall from their pinnacles in recent years, sometimes deservedly and sometimes not, often because they said something on social media that outraged people.

The Internet is often the first thing that gets blamed for any social or cultural problem these days, and celebrity culture is never far behind. As with any technology, the Internet is an amplifier for both the good and the bad, and here are good and bad sides to social media. On the positive side, it keeps in touch with friends we haven’t seen for years and with family who live too far away for us to visit often. It could be why over the last ten to fifteen years mental health problems among young women have spiked and birth-rates across the world have collapsed.

But, hang on, Palm Sunday happened two thousand years before Facebook was invented! Our most serious problems are just modern variations on problems that have been with the human race since the dawn of time. Selfishness, greed, bigotry, and violence didn’t arrive with the smartphone. Nor did the way that being part of a crowd can turn normally decent people toxic, nor our tendency to abandon our most noble principles once it means risking unpopularity. Our problems today aren’t really caused by social media, or by the mainstream media, or by the way we chase after celebrities who are so often empty. Our problems are caused by the sickness in our souls.

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Celebrity and Humility: Sermon Preached on Sunday 2nd April 2023 (Palm Sunday)

Preached at St Peter’s, Poulshot and Holy Cross, Seend

Philippians 2. 5–11; Matthew 21. 1–11

If Jesus made his second coming in the near future, how would we know about an event like his triumphal entry into Jerusalem on that first Palm Sunday? I suspect we might learn about it from TikTok, or a YouTube video, probably made by one of the army of professional YouTubers trying to cash in on Jesus’ popularity.

When I talk to primary school children, one of the most common things that both boys and girls say they want to be when they grow up is a “YouTuber”. You might wonder if that can actually be a job. Well, the highest paid video-maker on YouTube in 2020 earned US$26 million in that year alone. He is a boy from Texas called Ryan Kaji who reviews toys, and 2020 was the year in which he had his ninth birthday.

A watercolour painting in dull colours by James Tissot of Jesus riding into Jerusalem on a donkey carrying a palm surrounded by cheering crowds.
James Tissot, The Procession in the Streets of Jerusalem, (1886-94). Hangs in the Brooklyn Museum

So, the Palm Sunday story should resonate powerfully in our era of celebrity. Jesus rides into town like a king, and He is quite conscious of what he is doing; He seeks to fulfil Hebrew prophecy, with a direct quote from Zechariah. What comes next has clearly been carefully thought through, and Jesus seems to have made preparations for His triumphant entry to the Holy City with people in Jerusalem who call him “the Master”, but who aren’t known by even the closest disciples who have travelled with him from Galilee. The crowds greet Jesus like a conquering king entering his new capital, spreading their cloaks in front of him and forming a guard of honour.

Today, we break the story here, with Jesus the darling of the masses. Yet within just a few days, the story will take a dramatic twist. To be a darling of the crowd and greeted as a coming king is, needless to say, a serious threat to the actual kings and rulers of a society. The authorities soon launch a campaign of black propaganda against this preacher who some people see as a prophet. The propaganda is effective and soon enough the masses turn against Jesus. When He is brutally executed just five days later, those members of Sunday’s crowd who come to see Jesus on the Cross do so not to cheer, but to jeer.

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