churchcrawling

Accepting Our Limits: Sermon Preached on 23rd October 2022 (The Nineteenth Sunday after Trinity)

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Preached at St Peter’s, Poulshot

Readings – 2 Timothy 4: 6–8, 16–18; Luke 18: 9–14

“…the time of my departure is at hand.”

On Tuesday, I went for a long walk on my day off, as is my wont. It was an extraordinary day for the time of year, almost cloudless and with temperatures in the high teens. As I walked over the fields into Bishops Cannings from Devizes, I was confronted by a magnificent sight – two trees at the very peak of their autumn colour, framing that majestic parish church and lovely village pub with a riot of reds and golds. The light was absolutely superb.

St Mary the Virgin, Bishops Cannings, St Luke’s Day 2022, © Gerry Lynch.

Yesterday, I drove through Bishops Cannings and noticed that those trees had lost some of their leaves in the storms of Friday, and that their colours were losing a little of their lustre. Although the temperatures remain extraordinarily mild for the season, it was a cloudy day, without the translucent light of Tuesday morning. It was still a pretty scene – but no longer possessed of the sort of transfiguring beauty it held just four days before.

Autumn is a particularly transient time of year. Fresh beauties emerge from the landscape and vanish again in a matter of days. Soon will come the bare trees and bare fields of winter. That is also the pattern of our lives. Everything has a finite end, a limit. Nothing lasts forever, and many things that enlighten and energise our lives are around only for a very short span.

The present moment is all we have.

In our epistle reading this morning, St Paul is near the end. He clearly expects to die soon – he has run his race. This has not made him a perfect person, and he still seems to have energy to vent his spleen at those who he feels let him down in his hour of great need, in the passive-aggressive tone Paul often adopts.

I love Paul, and I love his writings, but I can definitely see why almost everyone seems to have lost patience with him at one time or another. Even the man who was perhaps his closest companion, Barnabas, a man so sweet-natured that he was nicknamed ‘The Encourager’, took his leave of Paul once in Antioch when his constant arguing became too much.

Paul was not perfect but, to be fair, at the core of his writings is the idea that salvation is not a reward for passing a particular standard of goodness but something that God gives us as a free gift, because God is love. And for all that Paul was a man with obvious faults, he was also a man with tremendous gifts. Here, he contemplates the end of his life without fear, absolutely trusting God will receive him in heaven.

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Admit It, You Think Judas is Right: Sermon Preached at St John’s, Devizes, Sunday 3rd April 2022 (Fifth Sunday of Lent)

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Readings – Isaiah 43: 16–21; John 12: 1–8

“Why was this perfume not sold for three hundred denarii and the money given to the poor?” 

Admit it, a large part of you agrees with Judas when he asks Jesus this question… keep that in mind, we’ll come back to it!

A view of St Michael’s Golden-Domed Monastery from the bell tower of St Sophia’s in Kyiv, 13 August 2017.
St Michael’s Golden-Domed Monastery, Kyiv, 13 August 2017. © Gerry Lynch

If you have seen television news reports from Kyiv, you will doubtless have seen the magnificent St Michael’s Golden-Domed Monastery. A huge trapezium of sky-blue with white vertical stripes, all capped by seven golden domes, and next to it an even bigger clock-tower in similar colours with a truly huge golden dome on top. It was originally built towards the end of the 11th Century, a few decades before our own St John’s, and like our St John’s it was developed in fits and starts over many centuries. It was hugely expanded in the ornate Ukrainian Baroque style which make Kyiv’s churches and monasteries a delight during the 18th Century, the period when many of our beautifully carved wall memorials in St John’s were erected.

What I’ll tell you next is hard to believe, although we have learned in recent weeks the depth of hatred Stalin held for Ukrainian culture and identity, but those wonderful 18th Century baroque extensions were used as an excuse for the Soviet authorities to declare the monastery historically “inauthentic” in 1934, and it was demolished, replaced by a modern office block housing the administrative headquarters of Soviet Ukraine. What we see today has been entirely rebuilt over the last thirty years, as faithfully as possible to what was there before.

On one level, buildings are just stones: but they are also things that can move people to tears through their beauty, and be the repositories of the soul of a nation, or a family, or a faith. Stalin, among others, understood how much buildings mattered – St Michael’s was one of thousands of churches destroyed across the Soviet Union in the 1930s, as the state tried to destroy Christianity. But he also understood the power of beautiful buildings to lift up and renew. Much of the centre of Kyiv was destroyed during the Second World War, and it was the site of one of the first rebuilding efforts in the immediate post-War years, especially around the famous Maidan, a handsome cityscape of optimistic wedding-cake towers and neo-classical pillars. The aim was to incarnate in stone the beauty of Communist ideals of progress and enlightenment, and inspire the people of Ukraine to play their part in rebuilding the USSR after the depredations of Hitler.

Domes of St Michael's in Kyiv
Domes of St Michael’s Golden-Domed Monastery in Kyiv, 10 August 2017. © Gerry Lynch.

Let us turn the clock back even further, before the construction of St Michael’s in Kyiv and St John’s in Devizes, before even the times when Christ walked the earth, to the time when the Scythians were the people who dominated the great Eurasian plain, from Ukraine in the west as far as Mongolia in the east. A few years ago there was an exhibition of their art at the British Museum. The Scythians had no writing, but worked gold with exquisite skill, the equal of the Greeks and Persians of the same period. Complex depictions of Tree of Life, sometimes a foot high, reveal a people with a keen sense of spirituality and the wonder of creation. The instinct for beauty seems to be hard-wired into us.

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Wisdom and the Cross: Sermon Preached at St John’s, Devizes, Sunday 12 September 2021 (The Fifteenth Sunday After Trinity)

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The modern Coventry Cathedral alongside the ruins of the original, 2 August 2018. © Gerry Lynch

Readings – Wisdom 7:26 – 8:1; Mark 8:27–38

“She is more beautiful than the sun, and excels every constellation of the stars.”

In the name of the Father, and of the Son, and of the Holy Spirit. Amen.

On a bright weekday morning three summers ago, I began my day with Morning Prayer at Coventry Cathedral. Coventry was a convenient place for an overnight break on the long overland journey between Salisbury and Belfast, and I had long wanted to see the Cathedral. I was able to talk my way into spending the hour between the end of the service and the start of public visiting wandering an empty Cathedral on my own, with my camera and tripod.

John Piper’s great Baptistery Window at Coventry Cathedral, 2 August 2018. © Gerry Lynch
John Piper’s great Baptistery Window at Coventry Cathedral, 2 August 2018. © Gerry Lynch

If you haven’t yet been there, I recommend a visit, and also making the effort to visit in the morning, for that is the time when John Piper’s baptistery window is at its best, ablaze with sun from the east, all twenty-eight metres of it.

Just occasionally people tell me they don’t like Coventry Cathedral. I couldn’t disagree more; few church buildings on earth incarnate the reality of the Resurrection more powerfully.

The parish church Cathedral of St Michael, one of the finest medieval parish churches in Europe, was blown to bits during The Blitz on 14 November 1940. As he went into the ruined Cathedral the morning after the destruction, the then Provost, Richard Howard, was struck by what he called “the deep certainty that as the Cathedral had been crucified with Christ, so it would rise again with Him.”

Less than twenty years later, the very different modernist Cathedral was dedicated, also to St Michael, surrounded by the still imposing ruins of 14th Century building, and incomprehensible without their presence.

Coventry Cathedral also showcases two interconnected British revivals of the two decades after the end of the Second World War – a revival of Christian faith and a revival of high culture. Unquestionably it was the high point of British modernism in the visual arts and architecture: Basil Spence’s cathedral housing John Piper’s windows, Graham Sutherland’s tapestry, still in 2021 the largest in the world, and one of Jacob Epstein’s last and finest sculptures. Yet this indubitable gem of 20th Century Christianity could not have existed without the destruction of the magnificent medieval St Michael’s.

The modern Coventry Cathedral alongside the ruins of the original, 2 August 2018. © Gerry Lynch
The modern Coventry Cathedral alongside the ruins of the original, 2 August 2018. © Gerry Lynch

Resurrection follows death. Resurrection is not possible without death. Yet that does not make the death any less real, or any less painful, nor does it make the loss of physical presence that death entails any less final or less disturbing. That is the central paradox of the Christian faith. It is, in every sense of the word, disturbing.

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A Soldier Shot on the Afghan Frontier, 1889

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In Rochester Cathedral, a cross executed in memory of Lt Archie Harris of the Royal Engineers “[s]hot while in pursuit of a Pathan robber on the Afghan frontier”, 11 October 1889. History doesn’t repeat but it does rhyme. “A scrimmage in a Border Station-A canter down some dark defileTwo thousand pounds of educationDrops to a … Read more

Ripon Cathedral’s Space Age Chapel

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This is photo of the Apollo 11 control system-themed hanging pyx at Ripon Cathedral

The Chapel of the Holy Spirit in Ripon Cathedral represents a sadly stillborn Anglican Space Age tradition of church furnishing. Completed in 1970 in honour of the previous year’s Apollo 11 moon landing, it is very much of its time.

I have seen some horrified reaction on social media to my photos of it, complaining at such a supposedly jarring presence in one of the finest buildings of the Romanesque-Gothic transition anywhere in Europe. Let us not forget, however, that the places of worship on this site have been substantially altered many times, including by St Wilfrid himself in the 7th Century, and even destroyed and completely rebuilt once. Perhaps most obviously, the Victorian restoration was imaginative but also far more inappropriate than this: yet Ripon Cathedral would not be what it is today without that and without a few fine pieces of Edwardiana and post-Edwardiana that are hardly redolent of the High Middle Ages.

Having long since passed through its groovy phase, to my mind the Chapel of the Holy Spirit has also by now finished its naff phase, and is becoming established as the sort of quirky period piece that any great cathedral must have many of from many different eras.

Located at the east end of the south choir aisle the chapel represents the Holy Trinity in themes astronomical and astronautical themes.

The hanging pyx represents Christ, who is sacramentally present within it, as this is where the Cathedral reserves the Blessed Sacrament.

Public domain image used courtesy of Wikipedia – thanks.

The design of the pyx is essentially copied from the reaction control thrusters for the Apollo Lunar Excursion Module. Really, I’m not making that up.

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Twilight View of the Kyiv Pechersk-Lavra Monastery Complex

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The Kyiv Pechersk Lavra monastery complex shot from the Paton Bridge in a golden evening twilight, 9 August 2018

The Kyiv Pechersk Lavra monastery complex shot from the Paton Bridge in a golden evening twilight, 9 August 2018
Kyiv Pechersk-Lavra Complex shot from the Paton Bridge, 9 August 2017, © Gerry Lynch.

Viewed here from the Paton Bridge is the enormous and ancient Pechersk Lavra monastery complex in the Ukrainian capital, Kyiv. This is the crucible in which East Slavic Orthodoxy was formed and is arguably the third most important religious community in the history Christendom behind only Monte Cassino and Mount Athos.

Kyiv Pechersk Lavra (Ukrainian: Києво-Печерська лавра; Russian: Киeво-Печерская лавра), also known as the Kiev Monastery of the Caves, was founded as a cave monastery in 1051, since which time it has usually been a preeminent centre of Orthodox Christianity in Eastern Europe. Together with the Saint Sophia Cathedral a few kilometres away, it is inscribed as a UNESCO World Heritage Site. Among others, the remains of Imperial Prime Minister Peter Stolypin, assassinated at the Opera in the city centre, lie at rest here.

While remaining a major cultural and tourist attraction, the monastery has been active again as a religious community since the 1980s, having been shut down by the Soviet authorities in 1928 and turned into a museum-park. Nowadays, there are now over 100 monks in residence.

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Cathedral of the Theotokos, Vilnius

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The Orthodox Cathedral of the Theotokos in Vilnius. Originally built by architects from Kievan Rus’ in 1346-8, commissioned by Grand Duke Algirdas for his Orthodox wife, Uliana of Tver. From 1609, it was used by Eastern Rite Catholics until it was abandoned after a major fire in 1748. It was reconstructed in 1785 only be … Read more

Vilnius Cathedral

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The Cathedral Basilica of St Stanislaus and St Ladislaus of Vilnius (Lithuanian: Vilniaus Šv. Stanislovo ir Šv. Vladislovo arkikatedra bazilika) is the Roman Catholic mother church of Lithuania.   The coronations of the Grand Dukes of Lithuania took place within its confines. Many famous people from Lithuanian and Polish history are buried there During the … Read more

Cathedral of St Nicholas the Wonder Worker, Białystok

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Saint Nicholas the Wonder Worker is the Orthodox cathedral in Białystok, and the seat of the Bishop of the Białystok-Gdańsk in Polish Autocephalous Orthodox Church. Białystok is the tenth largest city in Poland, and the largest in the north-east, which has a relatively large Orthodox population compared to most of this predominantly Roman Catholic country. … Read more

Holy Cross Church, Vilnius

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The history of the little church of Holy Cross, Vilnius, dates back to 1543, when a chapel was built on the site to commemorate the martyrdom of a group of Franscians in the 14th Century. In the 16th century, a Gothic chapel of the Holy Cross was built here by the Bishop of Vilnius Povilas … Read more