St Nicolai’s Church in the town of Kalkar (115km north of Cologne, 150km SE of Amsterdam) on the German Lower Rhine – a wonderland of woodcarving from the late 15th and 16th Centuries, where a remarkable cast of woodcarvers found themselves with the patronage of wealthy religious brotherhoods. The most remarkable trio were Arndt van Zwolle, working at the end of the 15th Century, and later on Arnt van Tricht and Heinrich Douvermann.
I have not done this remarkable church justice: I needed both a tripod and time in this very dark building, neither of which I had. But I hope I will at least wet your appetite.

The story of St Nicolai’s probably began in 1230, but became really interesting after it was rebuilt after a devastating fire in 1409. The superstructure was substantially rebuilt into its current form by 1421, but it is the wonderful woodworking from the period around 1488-1560 that makes this perhaps the most celebrated church on the Lower Rhine.
The church has nine surviving woodcarved altars from a remarkable period of creativity between around 1488 and 1560. Five are at least partly visible in this shot. Nearest to camera are, left, the 1535 Trinity Altar, and, right, the 1541 St John’s Altar, both by the remarkable Arnt van Tricht. The central chandelier with the Virgin Mary took from 1508-41 to execute: van Tricht and Douverman were both among the artists who worked on this. The high altar dates to 1488-1500.

Arndt van Zwolle’s magnificent oak High Altar: begun in 1488, it was still incomplete at van Zwolle’s death, and finished by Jan van Halderen and Ludwig Juppe from 1498-1500. Worked in oak, it shows a multiplicity of scenes from the life of Christ crowned by the Calvary. There are a total of 208 figures carved. Behind it is the stained glass installed in the year 2000, the originals having been destroyed a long time in the passt. These were executed by Karl-Martin Hartmann, a physicist as well as an artist, using motifs like Feynman diagrams, galaxies, and spectroheliographs.



Made by Karl-Henning Seemann in 1984-6, the Lohengrin Fountain statue in the heart of Kleve’s pedestrian precinct – informally called the Elsa Fountain – tells the story of Kleve’s mythical founder as related by Wagner.


