netherlands

St Pancratius, ‘s-Heerenberg, and the ‘Gestapo Window’

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St Pancratius, 's-Heerenberg, North Elevation

St Pancratius (de Pancratiuskerk) in the little Dutch market town of ‘s-Heerenberg (population 8,000) and literally a ten minute stroll from the German border.

At first blush – another pretty, ornate, but unexceptional post-Vatican I church in the south eastern Netherlands, a sign of a long suppressed community bursting into both prosperity and political power. Inevitably designed by the Albert Tepe, a prolific architect of Dutch neogothic… and then…

In the north aisle a unusual piece of stained glass catches the eye – is that a Gestapo man in stained glass?

St Pancratius, 's-Heerenberg, Close Up of ‘Gestapo Window’

Yes, it is. And so one learns of the story of Frs. Galama and van Rooijen, parish priest and curate respectively, arrested in 1941 after preaching against the Dutch Nazi Party, the NSB, who were deported to Dachau where both died in 1942. The scene of the Judas kiss immediately above makes clear the bitter but rarely mentioned memories of collaboration and betrayal that must have haunted communities like this for decades after the war.

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Mariken van Nieumeghen aka Little Mary of Nijmegen

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Stevenskerk-18.jpg

This bronze statue has been on Nijmegen’s Grote Markt, by the entrance to the Stevenskerk, since 1956 and was executed by Vera Tummers-Van Hasselt. It represents Mariken van Nieumeghen (Little Mary of Nijmegen) one of the symbols of the city in one of the best loved pieces of medieval Dutch literature.

According to a miracle play probably written between 1485 and 1510 in Antwerp, Mariken lived with the devil for seven years. Mariken had to go into town to do some shopping for her uncle. By the time she finished, it was already too late to go home, and she was not welcome to stay with her aunt in the city.

Wandering through the countryside, she met the Devil, who presents himself as Moenen. Moenen persuaded Mariken to accompany him to Antwerp. There, they led a very dissolute life for years. But Mariken wanted to see her family again. Together Mariken and Moenen returned to Nijmegen. Once there, Mariken sees a pageant, which demonstrates that everyone can receive forgiveness from God for their sins, which brings Mariken to repentance.

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To A Young Fisherman

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TO A YOUNG FISHERMAN
Fairer still than a rose, your cheeks aglowing,
Your feet more graceful than a tulip’s stem
And in your eyes there sparkled like a gem,
For friendship, such an infinite deep longing.

Behind us was the endlessness of the sea,
Above us greyly gazed the endless light,
We two stood on the strand, so solit’ry,
With just the sea’s smell. No-one was in sight.

Last day together, townwards I remove.
Contentedly he fishes, while I brood
And find no peace in fields nor city streets.

I am exhausted, so many loves I’ve had.
Forgive me much, ask not what I withstood
And pray your beauty ne’er my will defeats.

By Jacob Israël de Haan, 1917, translated from the Dutch by Gerry Lynch.

Jacob_Israel_de_HaanThis poem is famous as the last line of the first stanza adorns Amsterdam’s Homomonument. Jacob Israël de Haan (1881-1924), its author, was a human rights activist avant la lettre and a very out gay man indeed by the standards of his time. He was also a devoutly religious Jew who emigrated to Israel after the end of World War One, ended up the political spokesman of the Haredi community in Jerusalem and was assassinated by a member of the Haganah. His Wikipedia entry is worth a read! As well as his famous gay poems, he travelled extensively by train in England in the early 1910s, and wrote some charming poems in Dutch on his English experiences.

I have started and failed to finish translating this poem for close to a decade. Rupert Moreton is translating many Russian and Finnish poems at the moment and inspired me to finally get it done.

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