Where Did It All Go Wrong?: Sermon Preached on 22nd February 2026 (First Sunday of Lent)

Preached at St Peter’s, Poulshot and Christ Church, Bulkington

Romans 5. 12–19; Matthew 4. 1–11

“…just as one man’s trespass led to condemnation for all, so one man’s act of righteousness leads to justification and life for all.”

A dramatic oil painting depicting the biblical scene of the Temptation of Christ. In the foreground, a solemn figure in flowing pale robes sits with downcast eyes and a weary, resolute expression, his long brown hair and beard framing a gaunt face marked by deep shadows beneath the eyes. Behind him, a sinister hooded figure draped entirely in black leans in close, one hand gripping the seated figure's shoulder in a possessive, intimate gesture, whispering with a sly, menacing expression partially obscured by the dark cowl. The background features a turbulent sky of deep amber and burnt orange tones, suggesting a desolate wilderness. A dark bird, likely a crow, flies in the distant right. The painting's photorealistic style and chiaroscuro lighting create an intense atmosphere of psychological tension between spiritual steadfastness and evil persuasion.
The Temptation of Christ,©Eric Armusik (2017). In a private collection.

Where did it all go wrong?

Tuesday marks the fourth anniversary of the Russian invasion of Ukraine. The 2020s have been a bumpy decade. The horrors of the 7 October attacks were followed by the horrors of the Israeli assault on Gaza, where the 75,000 dead include 18,000 children. These terrible figures are still much smaller than the number of those killed in Sudan’s largely ignored civil war, or in Burma’s entirely ignored civil war, or the terrible war fought in Northern Ethiopia between 2020 and 2022, which you probably haven’t even heard of and which looks in serious danger of flaring up again.

The story of the human race is glory interspersed with horror. Capable of great feats of technology, and art, and most profoundly of all of great self-sacrificing love, it nonetheless seems to be our lot to descend from time to time into the pit. On the grandest of scales, the golden ages of nations and civilisation are followed by spells of decline and even ruinous destruction. Meanwhile, in our own lives we find that time and again we fail to live up to the high ideals which we wish to live by. Time and again, we do selfish and stupid and self-destructive things in ways that often leave us horrified and mystified afterwards. Worst of all, it seems to be upon those we love most deeply that we are capable of inflicting the most grievous wounds. No matter how hard we try to live truly good lives, some force seems to drag us down into the worst version of ourselves.

Where did it all go wrong?

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Faith in a Geopolitical Wilderness: Sermon Preached on 9th March 2025 (First Sunday in Lent)

A wide desert landscape under a clear blue sky, with scattered dry, golden-brown shrubs dotting the sandy terrain. In the background, a range of rugged, brown mountains stretches across the horizon, creating a stark contrast with the flat, arid foreground.

Preached at St Peter’s, Poulshot and Christ Church, Bulkington

Romans 10. 8b-13; Luke 4. 1-13     

“Jesus… was led by the Spirit in the wilderness, where for forty days he was tempted by the devil.”

In the wilderness, the rules and habits that helped us to flourish in civilised life no longer work; in fact, they can be a hindrance to survival. In the wilderness, we are thrown back entirely on our own resources. There is nobody to help us—except, of course, for God. The wilderness can kill us—or we can use it to allow our illusions about ourselves and the world to die. We can use it to teach us to trust in God, and God alone.

A barren desert landscape featuring a twisted, leafless tree with sprawling branches in the foreground. The ground is covered with dry, sparse vegetation and sandy soil. In the background, rugged, layered mountains rise under a vibrant blue sky with wispy, streaked clouds.

Explain desert ecosystems

Discuss desert photography
In the wilderness, Tankwa Karoo National Park, South Africa © Gerry Lynch, 27 January 2025

“We now live in a geopolitical wilderness where the post-Cold War order has collapsed.” I last used that phrase in a sermon three years and three days ago, on the First Sunday in Lent 2022, when we last had this pair of readings set for us. That was less than a fortnight after Russia launched its massive invasion of Ukraine. It is even more obvious today that the assumptions most of us held about the nature of the 21st Century world have turned out to be illusions.

We hear that frightening geopolitical wilderness reported every day in the news bulletins, so let us keep it in mind as we turn to today’s Gospel reading, for its detail is easy to overlook. 

Christ is challenged with three very specific temptations: the temptation to put worldly comfort before the Mission given to Him by His Father, symbolised by turning stones into bread; the temptation to take no responsibility for His own wellbeing, abusing God’s care for Him, symbolised by throwing Himself from a building and trusting in angels to catch Him; and the temptation to take power Himself as the solution for all the world’s problems, at the price of worshipping Satan.

These events take place immediately after Jesus was baptised by John, and immediately before He began His ministry of healing and teaching in Galilee. It is seems Christ, truly human as well as truly God, had to confront these temptations before He could brave the crowds who would for a time cheer Him as a wonder-worker, crowds who would try to seize him by force and make Him king.

Christian leaders in every age must confront these three temptations: the temptation to use the Faith as a means of obtaining worldly comfort; the temptation to hide behind the Faith as a means of avoiding personal responsibility; and the temptation to see the Faith as a means of solving the world’s problems.

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Fame and Truth: Sermon Preached on 12th May 2024 (The Sunday After Ascension)

Preached at St Peter’s, Poulshot and St Mary’s, Potterne

Readings – Acts 1. 15-17, 21-26 ; John 17. 6-19

“…and the lot fell on Matthias.”

The singer Bambie Thug, in heavy makeup, looks at the camera at Eurovision 2024.
Seeking El Dorado? Eurovision 2024, © Arkland, Used under CC-BY-SA 4.0.

On the morning after the Eurovision Song Contest, it seems appropriate to reflect that fame and celebrity seems to be the El Dorado of the present age. It isn’t new, of course – even in the 19th Century, artists with a worldwide reputation like the singer Nellie Melba or the pianist-conductor Franz Liszt could often arrive in a new city to crowds of screaming fans, much as the Beatles and the Stones would a century later. The ancient Romans and Persians also had their celebrities. But this ancient human trait seems to have intensified since the turn of this century. Reality TV and talent shows began to crowd out more interesting forms of programme-making, while the Internet facilitated new forms of celebrity entrepreneur, willing to say, do, or sell anything to harvest attention from their own little world of fans.

People can make a good living from this. You’ve probably never heard of Charli d’Amelio. Charli is a social media influencer, someone who’s famous on social media because she’s famous on social media, and therefore attractive to people wanting to advertise and promote brands. Charli has 44 million followers on Instagram and a whopping 154 million followers on TikTok. Her most recent TikTok video, posted on Wednesday, shows Charli and a friend dancing to music while washing their hair with Garnier shampoo.

Compare this with the situation in our epistle reading. The 120 people Peter speaks to seem to comprise all the remaining Christians in the entire world. Even I have more social media followers than this. About twice that number came to church on Easter morning in our little country benefice.

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Losing Your Life: Sermon Preached on 25th February 2024 (Second Sunday in Lent)

Galilee countryside viewed from Mount Tabor - gnarled hills with many water-cut ridges and some deep, but lush, valleys.

Preached at Holy Cross, Seend

Romans 4. 13-21; Mark 8. 31-38

“Get behind me, Satan! For you are setting your mind not on divine things but on human things.”

Do you want to have a happy, successful, prosperous life? I certainly do. I don’t want to suffer, or be picked on, still less persecuted, and I certainly don’t want to lose my life—at least not until I’ve had my fair share of the good times.

Ilya Repin's brightly coloured "Get Thee Behind Me Satan" of 1860, with Jesus in gold next to a disfigured, red and black Devil, in front of a dark blue background.
Get Thee Behind Me Satan, by Ilya Repin, ca. 1860. Rostov Regional Museum of Fine Arts, Rostov-on-Don.

Poor Peter always gets a hard time for provoking Jesus into saying, “Get behind me, Satan!” But he’s only reacting like any of us would do if were told by our best pal that we would have to suffer on their behalf. In fact, if we saw someone we knew being spoken to by their best friend in the way Jesus spoke to Peter, we’d probably tell them to get a new best friend—even more if we heard them being told something as weird as “those who want to save their life will lose it, and those who lose their life for my sake…will save it.”

Christianity, my brothers and sisters, is a very, very, weird religion. We often miss that weirdness, because Christianity was the framework through which nearly everyone in this country viewed the world for more than fifty generations—an unimaginable stretch of time. Perhaps Christianity was preached more than it was practiced, but it guided people in how they should behave even if they didn’t always live up to it. Now that it is in retreat, the strangeness of Christianity is starting to become visible again.

We forget how much Christianity, as it rose, upended what had been the established norms of right and wrong, and in a good way. The Wiltshire-based historian of the ancient world, Tom Holland, came back to the Faith after having abandoned it as a young man once he understood how much it had subverted the dominant value systems of the Roman Empire, which were all about power and authority, often exerted with great cruelty. At the heart of the Christian story is Jesus Christ being executed in a particularly cruel way, despite having broken no laws, for reasons for political convenience. The Romans never missed an opportunity to remind the public of just how bloody and brutal they could be if they felt it necessary. This was a society that glorified cruelty as something that successful and honourable men did, not only out of necessity, but also for pleasure. Might is right and the devil take the hindmost—this was this value system that Christianity upended

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Fear the Devil: Sermon Preached on 25th June 2023 (3rd Sunday After Trinity)

Al Pacino playing the Devil in the 1997 movie The Devil's Advocate. He is smiling towards the camera, Keanu Reeves, his "son" is standing with his back to the camera. They are in a New York subway car.

Preached at Christ Church, Bulkington

Readings – Romans 6.1b-11; Matthew 10.24-39

“fear him who can destroy both soul and body in hell.”

Do you think about hell and the Devil much?

Al Pacino playing the Devil in the 1997 movie The Devil's Advocate. He is smiling towards the camera, Keanu Reeves, his "son" is standing with his back to the camera. They are in a New York subway car.
The Devil as the coolest dude in town… Al Pacino in The Devil’s Advocate (1997).

I thought that would be a good way to start a sermon on a glorious summer evening in an adorable little village like Bulkington!

We can scoff at talk of the Devil as ridiculous and primitive nonsense, and I have no doubt that some of you here tonight do. I did for a long time. We can even find ourselves glamorising the Devil – you know, the cool bloke who lets you drink and tells you dirty jokes, instead of making you sit on a cloud playing a harp forever like God (that boring old fart!) Yet whatever we think about an actual personification of evil in the form of the Devil, none of us can escape the reality of evil, obvious every time we hear a news bulletin.

If we believe that we have a soul, then we also need to consider seriously the possibility that it might be damaged or corrupted by evil. More than this, if we take the Gospels seriously as a record of what Jesus taught, then we need to embrace the reality that Jesus taught his followers about the Devil: among other places, in this evening’s Gospel reading. Satan is a recurring theme throughout the New Testament, where we are presented with a picture of Christians in a running battle with forces of evil that, without the grace of God, would be beyond our powers to resist or break.

The Devil is real, taunting us over the battlefields of Ukraine and our indifference to hungry children in a world of plenty. The Devil taunts us over every Saturday night stabbing, over every carefully nursed family feud, and every intentionally bitter dispute over the custody of the children. The Devil taunts us when we scream at the TV that we wish someone would shoot one of our least favourite politicians and when we lash out at the people who love us most because they’re the people we know we can hurt without fearing retaliation.

Most people in this country, unlike Jesus Christ, think the Devil is a silly fictional character that, at best, distracts us from dealing with the world’s real problems. That suits Satan fine; if we think he doesn’t exist it makes it so much easier to worm his way into people’s souls.

A cheerful picture, eh?                                     

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Christianity is Strange (Easter Day 2023)

Preached at St Peter’s, Poulshot and St Mary’s, Potterne, 9th April 2023

Readings – Acts 10: 34-43; John 20: 1-8

Christianity is a very strange faith – if it were not strange, it would scarcely be worth believing in. Take Mary’s encounter with the risen Christ. At first, she doesn’t recognise her close friend, whom she last saw just two days before; in fact, she thinks this stranger must be the graveyard’s gardener. It is only when Jesus speaks her name that she recognises that the impossible has happened; that the man whom she had watched being put to death is in fact alive. Yet there is something odd about his physical nature – He asks her not to cling to Him.

A "noli mi tangere" icon, 16th Century Crete.
An icon from 16th Century Crete of Mary Magdalene’s encounter with Christ in the Garden on the first Easter morning.

In our reading from Acts, another of the eyewitnesses of the risen Christ, Peter, has been asked to visit a senior Roman solider who has had a mysterious vision of angels. Peter recounts his own encounters with Christ after the Resurrection. In these encounters, too, Jesus’ physical characteristics are very odd – He is sometimes not recognised until He speaks or acts in a particular way; He sometimes appears in the middle of locked rooms. Yet He also eats and drinks with His disciples, apparently normally; they can embrace Him and even poke their fingers in His crucifixion wounds.

Jesus has clearly not been simply brought back to life, miraculously healed, but instead has become somehow different than He was. Nor is He a ghost or an apparition – He has a definite, tangible, physicality. The new life of the Resurrection is clearly something different from the mundane life of mortal human beings.

Of course, this could all be a story made up by people who couldn’t cope with the death of their hero.

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Why the Talking Snake Matters: Sermon Preached on Saturday 8th April 2023 (Easter Vigil)

Preached at St Mary’s, Potterne

Readings – Genesis 1.1 – 2.4; Genesis 3; Exodus 14.10-15.1; Ezekiel 37. 1-14; Romans 6. 3-11; Matthew 28. 1-10

Didn’t we have an awful lot of readings this evening? And weren’t a lot of them from odd bits of the Bible with unscientific stories like creation in six days, seas parting to open a walking path, and talking snakes? Wouldn’t we better just talking about God’s love and how God wants us to love others?

A tempera and gold painting on a copper base by William Blake of a radiant Eve being tempted by a golden, magnificently coiling, snake. Blake drew his inspiration for this scene from the book of Genesis in the Old Testament and from John Milton's epic poem 'Paradise Lost' (1667). Blake often experimented with painting techniques, and here the surface has flaked badly because of the poor adhesion between a glue-based paint and the copper support he used.
William Blake, Eve Tempted by the Serpent (1799-1800). Hangs in the Victoria and Albert Museum, London.

I don’t agree. These readings form the main arc of the Christian story – how we are related to God, and why Jesus had to come into the world: that’s why we have them tonight. They aren’t a science textbook and God never intended them to be when He inspired them to be written.

Science may explain our biological evolution but it does not explain our moral evolution. One of the great unanswered questions of human origins is how did we change from being creatures of instinct like other animals, to creatures of reason, and creatures with a moral sense, the ability to tell right from wrong? Where does the sense of right and wrong come from? That question provokes another, related, one – why do we human beings so often do things that we know to be wrong? For we seem to be doomed to constantly damage not only other human beings, but other life-forms, however well-meaning our intentions might be.

One of the saddest realities of human existence is that, as we spread across the world, mass extinctions of the native wildlife followed us in every place we expanded into, soon after we arrived. That is true on every continent and island; ever since we had the spear and the ability to create fire, we’ve been wiping other creatures out. We drove the mammoth to extinction before we even had rudimentary agriculture.

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War and the Devil: Sermon Preached at St John’s, Devizes, Sunday 6th March 2022 (The First Sunday in Lent)

Readings – Romans 10:8–13; Luke 4: 1–13

“Jesus … was led by the Spirit in the wilderness, where for forty days he was tempted by the devil.” 

One of my favourite films is a movie made eleven years ago named Margin Call. It is a fictionalised version of 24 hours in the life of a big New York merchant bank at the start of the 2008 financial crisis.

In the small hours of the morning, two well-tailored bankers assimilate the possibility of the world economy collapsing thanks, in part, to their extreme investment risks. At one point, the younger one turns to the older and says, “This is bizarre. It’s like a dream.”

“Oh, I don’t know”, comes the reply, “Seems like we may have just woken up.”

The world of these men and women collapses in the space of a day, to their shock and horror. As the movie progresses, however, it becomes apparent that they knew all along that they were following a path that was unsustainable, but one that was making them all rich. They were lying to the rest of us, of course, but mostly they were lying to themselves. Part of the movie’s power comes from the way it depicts how the system rapidly seduces the young graduate trainees into believing that this world of greed and lies is normal, even good.

Subsequently disgraced – Kevin Spacey in Margin Call (2011).

Ironically, the wise old trader in that exchange was Kevin Spacey – soon afterwards disgraced, and deservedly so, for using his artistic genius as bait to exploit young men who dreamed of being stars.

Both the movie and the real-life story of its star are metaphors for the world of the last thirty years, which indulged itself in the myth that humanity was starting to escape the restrictions of its nature, and that freedom and prosperity for all could be best ensured by each of us pursuing our desires and demands to the maximum extent.

We need to face facts: we are never far away from the wilderness, where the Devil lurks.

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