Kleve, best known as the home of Anne of Cleves, is a county town in the German state of Northrhine-Westphalia, just 10 kilometres from the Dutch border, with a population of just under 50,000 – and an interesting collection of statues.

Officially called ’The Little Cobbler of Kleve’ (Klever Schüsterken), everyone calls this the Spitting Statue (Spuckmänneken) – for obvious reasons when the fountain is turned on. After the notorious Netherlands-West Germany 1990 World Cup quarter-final, local wags bedecked it in a Frank Rijkaard Dutch national team jersey! Again, officially, this 1951 statue by Joseph Brüx commemorates Kleve’s shoe industry – the city was long Germany’s capital of children’s shoes.
Made by Karl-Henning Seemann in 1984-6, the Lohengrin Fountain statue in the heart of Kleve’s pedestrian precinct – informally called the Elsa Fountain – tells the story of Kleve’s mythical founder as related by Wagner.
Princess Beatrix lived in the Swan Castle just above the fountain around a thousand years ago. During a walk along the Rhine. she was approached by a Swan who wore a gold chain around its neck, pulling a boat on which a Knight stood, who told her he had come to defend her country. Beatrice fell in love with him and wanted to marry him. He said “yes” under one condition: that she never ask about his name or origin. The couple was happy and had three sons who, over time, became curious and tried to find out where their father came from. Eventually, Beatrix asked forbidden question to her Swan Knight. With a sad face he replied, “My name is Elias and I come from the earthly paradise”. Immediately the Swan appeared and then vanished with the Knight. Beatrice died a few months later of a broken heart.
The statue shows the Swan Knight’s sons desperately trying to stop him from being taken away, as Beatrice looks on helplessly.

Right beside the Collegiate Church in Kleve, the Dead Warrior (Toter Krieger) statue by Ewald Mataré was erected as part of a World War One memorial originally in 1932. In 1938, it was removed and buried by the Nazis as so-called ‘degenerate art’: although perhaps in reality it was rather too honest an artistic statement about the consequences of industrialised total war for people who were about to start another one. In 1977, parts of the figure were accidentally discovered and it was restored and re-erected as a “warning against injustice and violence” in 1981. The biblical quote on the ground beside it is an extract from the First Letter of Peter – “Those who desire life avoid evil and do good: they seek peace and pursue it”.
